Okay, I’m back.
So you know how hurricane season in many areas runs from June to November? Well, Hurricane Season in creative arts ministry is roughly the opposite. The music-heavy holidays, extra services, and budget planning all concentrated between November and April result in about 70% of the work occurring in 50% of the year. But today, the Monday after Easter, marks the end of Hurricane Season and the beginning of Planning & Recovery Season. This is a good thing.
Even though it’s busy, Lent through Easter is probably my favorite time of the church year. Thoughtful celebration of it requires both confession and praise, both quiet introspection and loud rejoicing, in a way that (I think) no other time of the year does. It is a study in contrasts, deeply embued with meaning and overflowing with opportunities for creative variation on a millennia-old theme.
One of the ways we tried to give coherence to our services toward the end of Lent was through a series of images. Each image fit with a message for one of the four weeks and comprised one-quarter of the final image shown on Good Friday. The Good Friday service was split into four parts, the first three of which briefly revisited the topics addressed in each of the previous weeks, but applied those topics specifically to the cross. Sounds complicated, but it really wasn’t. Anyway, here are the first image and the composite image (click on the latter for a larger view):

March 26: King & Creator

Good Friday: Composite image
The series of messages was entitled “Jesus’ Framework.” Each message dealt with some aspect of God’s passion to advance His glory, how Jesus practically accomplished that, and how we can participate in advancing the Father’s glory. We didn’t show the composite image until Good Friday, so it wasn’t obvious to people that the “frame” in each image actually formed the central cross.
Our Good Friday service was purposefully stark and dim. We used only piano & string bass to accompany the songs we sang and piano & french horn as the prelude & communion music. We cleared everything off the stage, set up candles, turned off most of the lights, and draped black fabric on our wooden cross. Everyone left the room in silence after taking communion.
Easter was exactly the opposite—we covered the front of the stage in flowers, rented extra lighting to put colors on the back wall, and we had a children’s choir, adult choir, praise band, & brass quintet. Between the two services everyone joined in a continental breakfast, games & candy hunt for the children, and general noisy celebration. The contrast is part of what I love. It’s a symbol of the movement from death to life, from suffering to rejoicing, from mourning to dancing. But you know, I love the relaxing part when it’s all over, too. I’m tired.
Happy after-Easter to everyone!